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تحلیل معیارهای کیفی اجرای حروف نستعلیق در تحریرات رایانه‌ای بر اساس اصول و قواعد سنتی خط نستعلیق | ||
| مبانی نظری هنرهای تجسمی | ||
| مقالات آماده انتشار، پذیرفته شده، انتشار آنلاین از تاریخ 10 مهر 1399 | ||
| نوع مقاله: مقاله پژوهشی | ||
| شناسه دیجیتال (DOI): 10.22051/jtpva.2020.27536.1110 | ||
| نویسندگان | ||
هدا کاسپور  1؛ عبدالرضا چارئی1؛ مرتضی اسدی2؛ پرویز حاصلی1
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| 1دانشگاه شاهد | ||
| 2شاهد | ||
| چکیده | ||
| در دهه‌های اخیر، تحریرات رایانه‌ای جایگزین جدی خوشنویسی سنتی شده‌اند. شکل حروف و نقطه‌ها در این تحریرات تابع اصول و قواعد از پیش تعیین شده توسط طراحان و برنامه‌نویسان رایانه‌ای بر اساس اصول خوشنویسی سنتی هستند. هدف اصلی در این تحقیق شناسایی دقیق شکل نقطه در خط نستعلیق به شیوه سنتی و ارتباط آن با اجرای رایانه‌ای نقطه بر اساس اصول و قواعد سنتی است و به این پرسش پاسخ داده می شود که شکل نقطه در تحریرات رایانه‌ای با شکل آن در خوشنویسی سنتی تا چه اندازه قابل انطباق است؟ پژوهش حاضر به روش توصیفی و تحلیلی نگارش شده و روش گردآوری اطلاعات در آن کتابخانه‌ای است. یافته‌های پژوهش شامل نکات و وجوه تمایز نقطه در شکل مفردات و ترکیبات خط نستعلیق در شیوه خوشنویسان بوده و از طرفی، با تجزیه و تحلیل نقطه در آثار سنتی مشخص شد که خوشنویس بر اساس سواد و بیاض در ترکیب حروف و کلمات و اصل توازن و به منظور رعایت فواصل منظم بین حروف، اقدام به تغییر شکل نقطه داده است. با توجه به یافته‌های تحقیق، این نتیجه حاصل می‌شود که با مقایسه تطبیقی شکل نقطه در خوشنویسی سنتی و اجرای رایانه‌ای نقطه که مولفه‌هایی نظیر زوایای نقطه در شیوه خوشنویس، نوع نقطه‌گذاری و مرکز قلم در شیوه ها را نشان می‌دهد، کیفیت نقطه در رایانه آنگونه که باید ارتقا نیافته است و نیاز به رعایت ساختار نقطه با توجه به مولفه‌های ذکر شده در اجرای رایانه‌ای وجود دارد. | ||
| کلیدواژه‌ها | ||
| خوشنویسی؛ خط نستعلیق؛ تحریرات رایانه‌ای؛ اصول و قواعد | ||
| عنوان مقاله [English] | ||
| Define the Qualitative Criteria for the type design in Computer Based on the Principles and Rules of the Nastaliq | ||
| نویسندگان [English] | ||
| hoda kaspour1؛ Abdolreza charei1؛ morteza asadi2؛ parviz haseli1 | ||
| 1shahed university | ||
| 2shahed | ||
| چکیده [English] | ||
| Computer editions include a set of software and pencil calligraphy, although the design of alphabets in these editions has already been done, but the quality of the execution of the letters in them for the necessity of the revision and correction of letters in order to more closely align with the delicacies of the necessary handwriting scripts. Since the inception of the Nastaliq script in Iran, this script has undergone many changes in its coherence path, the most important of these changes, initially due to the advent of computer technology due to the arrival of the printing industry in Iran in the modern era. . Computer literatures on the Nastaliq script have emerged due to the production of calligraphy software. Therefore, the study of changes in the Nastaliq script through such publications requires consideration of the principles and rules of traditional calligraphy in order to understand the achievements and challenges of computer editions in the face of the Nastaliq script. Is. The purpose of this study was to explain the criteria for evaluating the quality of the implementation of the Nastaliq script in computers based on traditional principles and rules. The question is how can one, based on the principles and rules of traditional calligraphy, achieve criteria that can be effective in evaluating the quality of computer labels. ? And how much can knowing how calligraphers can influence the clarification of these criteria? The research methodology is descriptive and analytical in terms of the nature of the research, and analyzes the content and method of collecting library information. The approach of this paper is comparative and its qualitative analysis method. The statistical population is a collection of computer editions that includes fonts and software capable of writing Nastaliq script. The sample size includes Calc software, Miramad software and Penza Mirza, each of which is the result of handwriting scripts of three calligraphy professors Abbas Akhavin, Amir Ahammad Falsafi and Mirza Gholamreza Esfahani. In this regard, first-hand resources that are directly related to the subject matter include documents related to theoretical research literature, related books, theories and sources of documentation in the field of calligraphy, and because of the novelty of the subject in relation to punctuation, the researcher Have to spend a lot of time and time collecting data on the field, and the vast amount of information has been obtained by collecting images and comparative comparisons of computer editions with different aspects of the Nastaliq script in terms of position and positio The quality of the execution of the letters in three samples of computer editions including the software Calc, Miramad software and Penzar mirza and according to the rules and rules of the Nastaliq script, including pen and pencil center in the style of calligraphy, the quality of the laps in the computer execution of letters, And the milestones in the ascent and descent sections of the script point to some points about the remoteness and closeness of the shape of the letters to the traditional calligraphy. As we have seen, the explanation of the necessary criteria for checking the quality of the implementation of computerized characters in accordance with the principles and rules of traditional calligraphy initially requires the extraction of compositions of computer letters and handwritten scripts, and then, by comparing the letters in the computer and handwriting scripts based on four criteria of principles, Ratio, composition and seat, which are the main pillars of calligraphy rules, can be achieved by qualitative criteria. In addition to the general principles of the script, the script pattern is different in the production of each of the three software samples, each of which is specific to the master's method, and since the elegance and strain of the script of nastaliq are diverse, so the recognition of the manner of each calligraph and comparison With its computer model, it is decisive in defining qualitative criteria. As a result, it became clear that computer editions were correctly identified with the principles and rules of calligraphy, but where the talk of unique calligraphic techniques and their presentation on computer, it is necessary to categorize the components that they are considering The letter designer leads to the fact that computer editions, the script of calligraphy scripts, and more closely align with traditional calligraphy. Despite the fact that computer editions have already been designed and are now being exploited, these points are subject to modifications by the designer. The most important points that need to be considered in the field of skill and recognition of practices, including attention to the turning points of letters and coherence in the performance of mooradzah, accuracy in the form of letters Nastaliq in the computer and handwritten scripts for the strength and weakness of the letters, descent and ascension and execution Correct teeth in the straight script. | ||
| کلیدواژه‌ها [English] | ||
| Calligraphy, Nastaliq, Type Design, Principles and Rules of the Nastaliq | ||
| مراجع | ||
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آمار تعداد مشاهده مقاله: 14 |
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