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مطالعه موردی مُدگرایی و نزاع بر سر بدنِ عمومی نسل جوان شهر سنندج | |
| مطالعات اجتماعی روان شناختی زنان | |
| مقاله 2، دوره 20، شماره 4 - شماره پیاپی 73، بهمن 1401، صفحه 37-67 اصل مقاله (948.54 K) | |
| نوع مقاله: مقاله پژوهشی | |
| شناسه دیجیتال (DOI): 10.22051/jwsps.2022.38956.2556 | |
| نویسندگان | |
| جمال محمدی* 1؛ سمیرا نوری2 | |
| 1این مقاله مستخرج از پایان‌نامه کارشناسی ارشد می‌باشد. .دانشیار گروه جامعه‌شناسی، دانشکده علوم انسانی و اجتماعی، دانشگاه کردستان، سنندج، ایران. (نویسنده مسئول) M.jamal8@gmail.com | |
| 2دانشجوی کارشناسی ارشد جامعه‌شناسی، دانشکده علوم انسانی و اجتماعی، دانشگاه کردستان، سنندج، ایران. Samiranoori6898@gmail.com | |
| چکیده | |
| هدف این نوشتار مطالعۀ کیفی سبک‌های جدید مُدگرایی در پوشش به‌عنوان یکی از اصلی‌ترین میدان‌های نزاع بر سر بدنِ عمومی در فضاهای همگانی است. سوژه‌های مورد مطالعه از میان دختران 14 تا 30 سال شهر سنندج انتخاب شده‌اند که پرسه‌زنی در فضاهای همگانی را به‌عنوان فعالیت معمولی خود معرفی نموده‌اند. داده‌ها از طریق مصاحبۀ فردی گردآوری و از طریق تحلیل مضمونی تفسیر شده‌اند. طبق نتایج تحقیق، شش مضمون اصلی از داده‌ها قابل استنتاج است: نقش دوگانۀ مُدگرایی در افشاسازی/ پنهان‌‌سازی هویت؛ انتخاب مُد جایگزین به‌عنوان راهی برای پس‌زدن رمزگانِ سنتیِ پوشش؛ کارکرد مُد در بازتولید دوگانۀ تمایز/ ادغام؛ استفاده از سبک‌های مُدگرا برای نمایش پرستیژ و گشودگی فردی؛ مُدگرایی راهی برای تصرف فضاها؛ و جایگاه محوری مُدگرایی در منازعۀ بدن خصوصی/ بدن عمومی. ترسیم شبکۀ مضامین و خرده‌مضامین همبستۀ آن‌ها بیان‌گر آن است که برای دخترانِ جوان، پرسه‌زنی در فضاهای همگانی، پیروی از سبک‌های جدید پوشش، تصرف فضاها، متمایزکردن خویش از نسل قدیم، و تلاش برای مدیریت بدن خود در فضاهای عمومی جملگی اجزاء به‌هم‌پیوستۀ شکلی از زیستن هستند که می‌توان ذیل مقولۀ هسته‌ای «نمایش عمومی وجه مطلوبی از بودن» آن را نا‌مگذاری کرد. بدین‌سان، استفادۀ دخترانِ جوان از سبک-های جدید لباس درست در لحظه‌ای که به‌قصد نمایاندن هویتی جدید انجام می‌شود عملاً حکم انتخاب نوعی مُد جایگزین برای سرپیچی از قواعد قدیمی پوشش را دارد. همین کنش، هم‌زمان، آن‌ها را قادر می‌سازد خود را درمقام اعضای یک خرده‌فرهنگ از فرهنگ کلی متمایز کنند و پرستیژ، شکوه، انعطاف و آراستگی خود را به نمایش بگذارند. | |
| کلیدواژه‌ها | |
| سبک پوشش؛ بدن عمومی؛ مد جایگزین؛ فضا؛ نمایش | |
| عنوان مقاله [English] | |
| Fashion and the struggle over the public body | |
| نویسندگان [English] | |
| Jamal Mohammadi1؛ Samira Noori2 | |
| 1Associate Professor of Sociology, University of Kurdistan, Sanandaj, Iran. m.jamal8@gmail.com. (Corresponding Author) | |
| 2M.A. Student in Sociology, University of Kurdistan, Sanandaj, Iran. samiranoori6898@gmail. Com. | |
| چکیده [English] | |
| The aim of this article is to study new fashionable clothing styles as a main field of struggle among the public body in public spaces. The theoretical constructs include concepts taken from the theoretical tradition of hegemony-resistance which analyses activities like body-building, body-representation, women’s defiance of dominant clothing rules and their tendency toward alternative fashions in the context of popular culture and as examples of struggles over the public body. The sample, young girls of Sanandaj, recruited through a snowball-sampling strategy, reported their lived experiences of wearing fashionable clothing styles in urban public spaces via in-depth interviews. Data were analyzed using inductive thematic analysis and six key themes were found: the dual role of fashion in exposing/ concealing identity, choosing alternative fashion as a way to reject traditional dress codes, the role of fashion in reproducing the duality of distinction/ assimilation, using fashionable styles for representing personal prestige and openness, putting on fashion to seizing spaces, and the central role of fashion in the struggle over public/ private body. It was concluded that consuming fashionable clothing styles by young women creates the possibility for developing multiple feminine agencies. Unlike the prevalent tendency to think about Islamic women’s embodied subjectivity as homogeneous, we found a kind of heterogeneity in appearance and bodily practices. This heterogeneity is what challenges and resists the intended homogeneity of the dominant culture. In this sense, fashionable clothing styles are tools of resistance. Style of Clothing, Public Body, Alternative Fashion, Space, Representation, Distinction. Introduction The aim of this article is to study new fashionable clothing styles as a main field of struggle among the public body in public spaces. The theoretical constructs include concepts taken from the theoretical tradition of hegemony-resistance which analyses activities like body-building, body-representation, women’s defiance of dominant clothing rules and their tendency toward alternative fashions in the context of popular culture and as examples of struggles over the public body. In this theoretical tradition, fashion is regarded as a means by which social agents form their embodied social being and individuality, and reject any body form and identity pattern that is imposed on them by hegemonic culture. In the field of fashion, the exchange of cultural codes is inevitably done through the body, because choosing s fashion is actually choosing clothing models, jewellery, makeup and appearance. Fashion and clothing are a field related to power and resistance relations, and all the images, goods and signs of this field should be read as text and in a deconstructive way. In other words, here the cultural objects are nothing but signifying systems, and this signifying system of clothing is inseparable from the history of women, the history that is full of all kinds of signs of resistance against patriarchy and it should be read as a text by using disciplines such as art history, design history and cultural studies. Methodology The sample, young girls of Sanandaj, recruited through a snowball-sampling strategy, reported their lived experiences of wearing fashionable clothing styles in urban public spaces via in-depth interviews. Data were analyzed using inductive thematic analysis and six key themes were found: the dual role of fashion in exposing/ concealing identity, choosing alternative fashion as a way to reject traditional dress codes, the role of fashion in reproducing the duality of distinction/ assimilation, using fashionable styles for representing personal prestige and openness, putting on fashion to seizing spaces, and the central role of fashion in the struggle over public/ private body. Findings It was concluded that, from the viewpoint of young women, wandering in public spaces, following new styles of clothing, seizing spaces, differentiating themselves from the old generation, and trying to manage their own bodies in public spaces are all components of a life form which can be named under the title of “public representation of a desirable aspect of being”. Thus, the use of new styles of clothing by young women at the moment when it is done with the intention of showing a new identity is actually a kind of choosing an alternative fashion to reject the old rule of clothing. Thus, young women attribute much value to clothing and body images in public spaces. For this new generation, body maintenance, healthy diets, use of cosmetics, grooming and beauty aids are significant. They wear fashionable clothing styles to redefine their boundaries to the formal hegemonic culture. This new generation symbolizes flexibility as opposed to the infertility of formal public institutions. This means that they don new dressing styles not only for bodily self-expression but also for mocking the dominant culture, expressing r | |