پیوندهای مفید
اخبار و اعلانات
آمار
| تعداد نشریات | 25 |
| تعداد شماره‌ها | 935 |
| تعداد مقالات | 7,686 |
| تعداد مشاهده مقاله | 12,529,683 |
| تعداد دریافت فایل اصل مقاله | 8,905,822 |
گفتمان هویت فرهنگی زنان در فرش دست‌باف دوره قاجار و پهلوی با رویکرد فوکو | ||
| مبانی نظری هنرهای تجسمی | ||
| مقاله 9، دوره 7، شماره 2 - شماره پیاپی 14، دی 1401، صفحه 125-138 اصل مقاله (602.04 K) | ||
| نوع مقاله: مقاله پژوهشی | ||
| شناسه دیجیتال (DOI): 10.22051/jtpva.2021.37169.1327 | ||
| نویسندگان | ||
| سپیده طراوتی محجوبی1؛ فاطمه کاتب* 2؛ مهدی کشاورز افشار3 | ||
| 1دانشجوی دکتری پژوهش هنر، دانشکده هنر، دانشگاه الزهرا(س)، تهران، ایران | ||
| 2استاد، گروه پژوهش هنر دانشگاه الزهرا(س)، تهران، ایران | ||
| 3استادیار و هیئت علمی گروه پژوهش هنر، دانشکده هنر، دانشگاه تربیت مدرس، تهران، ایران | ||
| چکیده | ||
| از مسایلی که کم‌تر به آن پرداخته شده‌است، مساله هویت فرهنگی زنان در حوزه فرش دست‌باف میباشد. از آنجا که فرش دست‌باف همواره، آمیخته با زندگی زنان بوده‌است، مساله اصلی این پژوهش، اعتبار بخشیدن به گفتمان هویت فرهنگی زنان در فرش دست‌باف و مفصل‌بندی عناصر موثر این گفتمان در ایران دوران قاجار موخر و پهلوی اول است. در این پژوهش، با تکیه بر نظریات فوکو، مجموعه گزارههای تولید کننده دانش در حیطه مربوط به زنان و فرشبافی در دو دوره مذکور مورد بررسی قرار گرفتهاست. لذا، زن در ارتباطش با فرش دست‌باف از سه منظر 1) ذهنی؛ 2) عینی و 3) موضوع اثر، مورد تحلیل قرار گرفتهاست و سعی در کشف روابط عناصر مرتبط با زنان و نحوه ایجاد معنا و گفتمان در فرش شده‌است. هم‌چنین، هدف از این پژوهش، پاسخ به این پرسش است که، هویت فرهنگی زنانه در فرش دست‌باف ایرانی در دوران قاجار و پهلوی را چگونه میتوان اعتبار بخشید؟ روش پژوهش کیفی و از نوع تحلیل گفتمان میباشد. برای تحلیل داده‌ها و رسیدن به پاسخ مساله، از نظریه دیرینهشناسی میشل فوکو به‌عنوان چارچوب نظری استفاده شده‌است. این روش به سبب وفور مستندات در مورد مشارکت فرهنگی، اجتماعی و اقتصادی زنان در حوزه فرش دست‌باف دوران مزبور، جهت اعتباربخشی و توصیف این گفتمان، اتخاذ شده‌است. نتیجه پژوهش، حاکی از آن است که با در نظر گرفتن زنان در موقعیتهای سهگانه ذهنی، عینی و موضوع اثر، میتوان به هویت فرهنگی زنان در گفتمان فرش دوران قاجار موخر و پهلوی اول اعتبار بخشید. | ||
| کلیدواژه‌ها | ||
| گفتمان زنانه؛ فرش دست‌باف؛ فوکو؛ زنانگی | ||
| عنوان مقاله [English] | ||
| Feminine Discourse in Handwoven Carpets of Qajar and Pahlavi Eras | ||
| نویسندگان [English] | ||
| Sepideh Taravatimahjoubi1؛ Fatemeh Kateb2؛ Mehdi Keshavarz Afshar3 | ||
| 1PhD Student in Art Research, Faculty of Art, Alzahra University, Tehran, Iran | ||
| 2Professor of Art Research Department, Alzahra University, Tehran, Iran | ||
| 3Assistant Professor and Faculty of Art Research Department, Faculty of Art, Tarbiat Modares University, Tehran, Iran | ||
| چکیده [English] | ||
| Iranian handwoven carpet is a phenomenon that carries the history, culture, tradition and civilization of Iran. But one of the less addressed issues is the women in the field of handwoven carpets. Since handwoven carpets have always been intertwined with women's lives, the main issue of research is to identify the female discourse in handwoven carpets and to articulate the effective elements of this discourse in Qajar and Pahlavi eras in Iran. Since handwoven carpet has always been considered masculine and women have not been looked at, more deeply than in the role of the weaver or the subject of the image in the pictorial carpets that were part of the productions of these two periods, this article tries to drag out the importance of the women's role in Iranian patriarchal society of those days. In this study, based on Foucault's theories, a set of propositions producing knowledge in the field of women and carpet weaving in the Qajar and Pahlavi eras have been studied. However, Foucault had not clearly explained how the research must be conducted following the discourse, and it is difficult to find an easy guide to implement in social research inspired by his work. Foucault uses archeology and genealogy in two major stages of his methodology. In archeology, Foucault focuses on the inner dimension of discourse and shows no interest in examining non-discourse elements. So, The present study emphasizes the method of Foucault's archeology and does not include genealogy as one of its components. The present study deals with the prevailing conditions in the Qajar and Pahlavi eras, especially in relation to the situation of women. According to Foucault's theory, in each period of epochs, a special discourse governs the behavior and actions of people and is accompanied by a series of discourse strategies that are inextricably linked with language and with the collapse of any system. Therefore, women in relation to handmade carpets in the two periods of Qajar and Pahlavi have been discussed and some power relations have been mentioned as well. In this regard, women have been analyzed in relation to handwoven carpets from three perspectives: 1) subjective; 2) objective and 3) the subject of the work. Also, an attempt has been made to discover the relationships of elements related to women and how to create meaning and discourse in the carpet. Also, the purpose of this study is to answer the following question: What was the position of women in Iranian handmade carpets during the Qajar and Pahlavi eras? The research method is qualitative and in terms of method of implementation is descriptive-analytical-historical. To study and understand past events, look at the causes, effects or trends of past events that helps to clarify current events and predict the future ones, Michel Foucault's archeology theory has been used as a theoretical framework and also as the conceptual model of the research to analyze the data and to respond to the problems. Considering the latter triad in Foucault's discourse analysis, the Iranian hand-woven carpet in the Qajar and Pahlavi eras has been studied from three perspectives. That is, women have been given subjective, objective, and conceptual situations in the handmade carpets of these two periods in order to recognize the dominant discourse of these two periods. Finally, a final assessment of the discourse position of handmade carpets in the two mentioned periods in Iran is obtained. Rival discourse sources in the construction of femininity in this period can be considered as written sources obtained from that period. Because these sources, which are at the same time expressive of the ruling discourse of this period, also express the demands of society, especially women. Because the identity that refers to women in modern times is not an absolute concept, but it is completely relative, which is realized in the historical process and within a certain cultural, traditional and social context, and is strongly dependent on the components and factors of its constituent context. The constituents of the context and their internal relations with each other are also involved in the process of application and construction of female identity. Accordingly, we will be confronted with different kinds of female beings and identities, and it is not possible to judge and define the conceptual nature of it. Therefore, woman is placed in different situations in relation to the handwoven carpet, then studied in the historical context of the period in order to understand the dominant discourse and at the same time, to recognize the power relations. In order to better understand and include discourse analysis based on the archaeological approach, it is necessary to explore the propositions confirming the phenomenon under study, to recognize power relations, and to identify competing discourses. Then to understand the current discourse of that phenomenon. In historical and sociological analyzes, most women have been ignored and a distorted image of them has been obtained because they have always been on the margins of analysis and research. This is not just because of the exclusion of women from research examples, but also as a result of the systematic prejudices and inefficiencies that exist in common male-centered contexts. Even in the examples that include women in research categories, it is from a perspective that considers men as a common standard. Women are related to all aspects of Iranian handwoven carpets in the historical period under study, and according to the documents collected. Relying on the discourse method of Michel Foucault and adopting a triple response method in archeology, the propositions related to Iranian handmade carpets in the Qajar and Pahlavi periods were examined. Propositions whose function is revealed by dealing with historical narratives. Until the answer to the main question was found, which is looking for the place of women in Iranian handmade carpets. The richness of historical material and documents related to the daily events of men compared to women in history is so high and even the smallest daily activities of men have been recorded in the history. But women, as the half of the population, enjoy less of the richness of written documents, and the recorded history for them is often an oral history. The main purpose of this article is to take women out of the historical isolation of that time and to identify their activities and to record propositions and elements in writing and to include them in the realm of discourse to recite the forgotten identity of women living in the patriarchal society of that era. An identity that is not inherent in nature and has always been introduced to others by her male relatives. Also, the expression of propositions that may be considered more accurately and in detail in future research. The meaning of each of these propositions may not be important, but how they are combined and united is important. In order to answer the research question, which was to find the position of women in the field of handmade carpets in the two mentioned periods, by granting three special positions to women in relation to handmade carpets, women's footprints were observed in all related aspects of handmade carpets. Although discourse theories are always subject to change and transformation and unstable; However, according to the studied data, the role of women in economic, cultural discourses, tastes and representations of handmade carpets and looking at all its dimensions, from the stages of spinning wool and silk to the stages of production, ownership circle and even its designs in In both Pahlavi and Qajar periods, it can be said that the element of femininity has always been alive and well in the field of Iranian handwoven carpets. Therefore, the position of women in the context of Iranian handwoven carpets in this period cannot be denied. | ||
| کلیدواژه‌ها [English] | ||
| Feminine Discourse, Handwoven Carpets, Foucault, Femininity | ||
| مراجع | ||
|
افشار (سیستانی)، ایرج (1369). سیستان نامه، تهران: مرغ آمین.
ایمانی، الهه؛ طاووسی، محمود؛ چیت سازیان، امیرحسین و شیخ مهدی، علی (1394). «گفتمان باستان گرایی در نقوش قالیهای تصویری دوره قاجار»، گلجام، دوره 11، شماره 28، 23- 38.
بلخاری، حسن (1389). «زن و هنر»، مطالعات راهبردی زنان (کتاب زنان)، دوره 12، شماره 47، 171-196.
حاجلی، علی (1395). «فوکو، گفتمان، تحلیل گفتمان»، مطالعات فرهنگی و ارتباطات، دوره 12، شماره 42، 63-88.
دل‍ری‍ش، ب‍ش‍ری (1376). زن در دوره قاجار، تهران: سازمان تبلیغات اسلامی حوزه هنری دفتر مطالعات دینی هنر.
ذکایی، محمد سعید؛ امن پور، مریم و اکبری، اندیشه (1398). «دیرینهشناسی برساخت زنانگی در ایران از عصر مشروطه تا پایان پهلوی اول»، جامعه شناسی ایران، دوره 20، شماره 4، 86-115.
شفیعی رودپشتی، میثم و ملک‌شاهی، فاطمه (1394). «سبک‌شناسی خرید زنان در صنعت پوشاک (مورد: زنان شهر تهران)»، پژوهش‌نامه زنان، دوره 2، شماره 6، 67-86.
صفاران، الیاس؛ یحیوی، پریسا و حاتم، غلامعلی (1396). «بازشناسی قالیهای تصویری کرمان (دوره‌های قاجار و پهلوی)»، جلوه هنر، دوره 9، شماره 1، 59- 70.
عیسوی، چارلز (1388). تاریخ اقتصادی ایران، ترجمه یعقوب آژند، تهران: گستره ایران.
غذامی، عبدالله (1395). زن و زبان، تهران: گام نو.
فتحی، محمدرضا (1390). بررسی تطبیقی تصویر انسان در نقاشی‌ها و قالیهای تصویری دوران قاجار، کارشناسی ارشد نقاشی، تهران: دانشکده هنر دانشگاه شاهد.
کرمی قهی، محمدتقی (1391). «تحلیل گفتمان سه برنامه توسعه با رویکردی به مسائل زنان و خانواده»، برنامه‌ریزی رفاه و توسعه اجتماعی، دوره 4، شماره 13، 41-75.
کشاورز افشار، مهدی و سامانیان، صمد (1386). «تحلیل شمایل شناسانه قالیچه تصویری حضرت مریم (س) و حضرت مسیح (ع)»، گلجام، دوره 4، شماره 8، 91- 106.
محمدطالبی طرمزدی، مرضیه و ولی بیگ، نیما (1397). «مطالعه مقایسه‌ای تصویر زن از دیدگاه هندسی در دیوارنگاره‌های کاخ‌ها و خانه‌های اصفهان»، زن در فرهنگ و هنر، دوره 10، شماره 1، 29- 46.
مقدم، والنتین (1395). «پنهان در تاریخ؛ زنان و نقش اقتصادی آنان در ایران عصر قاجار و پهلوی»، ترجمه سید حسن قریشی کرین و خدیجه پهلوانی، تاریخ نو، دوره 16، شماره 3، 79-127.
نوری، اکرم؛ موسینژاد خبیصی، هما و کشاورز افشار، مهدی (1399). «بررسی تصویر زن در قالیهای عشایری نقش نه زن با تاکید بر مولفه اجتماعی پوشش زنان عشایری»، زن در فرهنگ و هنر، دوره 12، شماره 2، 251-266.
یحیوی، پریسا (1392). مطالعه سیر تحول هنر طرح و نقش فرش کرمان (نمونه موردی، فرش دوره‌های قاجار و پهلوی)، کارشناسی ارشد پژوهش هنر، تهران: دانشکده هنر و معماری، دانشگاه پیام نور مرکز شرق تهران.
Abbott, P., Cler, W. (2009). Sociology of Women. London: Routledge.
Foucault, M. (1972). The Archaeology of Knowledge and the Discourse on Language, Translated from French by A.M. Sheridan Smith, New York: Pantheon.
Foucault, M. (1977). Discipline and Punish: The Birth of the Prison. New York: Sage.
Foucault, M. (1978). The History of Sexuality: An introduction. New York: Vintage.
Foucault, M. (1990). History of Sexuality, Introduction. London: Penguin.
Grant, D, Hardy, Oswick, C, & Putnam, L. (2004). The SAGE Handbook of Organizational Discourse. New York: Sage Publications.
Hepworth, K. (2016). History, Power and Visual Communication Artefacts. Rethinking History, 20(2), 280-302.
Jomepour, R. (2015). Women in Iran: Ancient History to Modern Times, and Back, Master of Fine Arts, Iowa: Iowa State University, Iowa.
Moghadam, V. (1998). Women, Work, and Economic Reform in the Middle East and North. Boulder: Lynne Rienner Publishers.
Najmabadi, A. (1996). Is our Name Remembered?: Writing the History of Iranian Constitutionalism as if Women and Gender Mattered. Iranian Studies, 29(2), 85-109.
Najmabadi, A. (2005). Women with Mustaches and Men without Beards, Gender and Sexual Anxieties of Iranian Modernit, First Edition, Random House: University of California Press.
Noori, A., Mousanejhad Khabisi, H., Keshavarz Afshar, M. (2020). Image of Women in Nomadic Carpets; the Motif of "Nine Women" with Emphasizing on the Social Component of Nomadic Women's Clothing, Journal of Woman in Culture Arts, 12(2), 251-266.
Reeves, M. (1989). Female Warriors of Allah: Women and the Islamic Revolution, NY: E.P. Dutton.
Reiter, R. (1975). Toward an Anthropology of Women, New York: Monthly Review
Sandywell, B. (2011). Prologues. Dictionary of visual discourse: A Dialectical Lexicon of Terms. New York & London: Routledge.
Tabari, A., Yeganeh, N. (1982). In the Shadow of Islam, London: Zed Press.
Wodak, R., Meyer, M. (Eds.). (2015). Methods of Critical Discourse Studies, New York: Sage.
URLs:
URL1.https://iiif.lib.harvard.edu/manifests/view/drs:434984707$1i (Access Date: 2020/05/14) | ||
|
آمار تعداد مشاهده مقاله: 586 تعداد دریافت فایل اصل مقاله: 329 |
||